Sacred Polyphony
Sacred choral music holds an esteemed role in the Church’s treasury. After chant, it adorns the Sacred Liturgy, particularly when it employs liturgical texts and styles passed down through the centuries.
Polyphony, in the music theory sense, is a composition with two or more independent melodic lines that proceed horizontally to produce an effective implied or literal harmony as well. When the Church mentions sacred polyphony she is most often referring to the religious works of the masters of the Renaissance like Palestrina, Victoria, Tallis, and others, although colloquially the term can be broadened to include other works that include multiple melodic lines.
To aid choirs to build a practical repertoire of sacred polyphony, the CMAA has produced The Parish Book of Motets. The book contains fifty-four motets of varying difficulty in English and Latin specially curated for the average parish choir, which can all be accessed for free on this site. Additional polyphonic resources are available below.

Choral Resources
- The Parish Book of Motets
> Recordings and Scores - Simple Choral Gradual by Richard Rice (description)
- Simple Choral Gradual by Richard Rice (PDF)
- A Byrd Celebration (PDF)
- Introits for Treble Choir (Richard Rice)
- Secunda Anthologia Vocalis (Ravanello, 1907) (three-part works)
- Anthologia Quinta Vocalis (1927)
- Choral Public Domain Library
Accessible Choral Works
CMAA Commissions
Two-Part
Three-Part
Four-Part
Arcadelt, Ave Maria
Lotti, Ecce Panis (/TTBB)
Pitoni, Cantate Domino
Christ the Glory – Lalouette
Come Holy Ghost – Gibbons
Easter Vigil Baptism Music – Ignatowski (Canticanova)
Entrata Festiva – Peeters
En Natus Est Emmanuel – Praetorius
Jubilate Deo – Mozart
Laudate Dominum (round) – Croft
Laudate Nomen Domini – Tye
Miserere – Lotti
O Taste and See – Williams
O Vos Omnes – Correa
Panis Angelicus – Lambilotte
Psallite – Praetorius
Regina Coeli – Lotti
Salve Mater – Proulx
Transeamus – Schnabel
Verily I Say Unto You – Tallis
Liturgical/Seasonal
Collections for Equal Voices
